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| Audie Murphy | Banner Cole | |
| John Saxon | Seymour Kern | |
| Zohra Lampert | Helen Caldwell | |
| Vic Morrow | Crip | |
| Robert Keith | Captain Jeremiah Brown | |
| Rodolfo Acosta | Johnny Caddo | |
| Royal Dano | Uncle Billy | |
| Frank Overton | Burt Hogan | |
| James Bell | Benson | |
| Paul Carr | Jock Wiley | |
| Ward Ramsey | Marshal Isaac Webb | |
| Lee Van Cleef | Leo | |
| Ray Teal | Banker | |
| Forrest Lewis | Doctor Welles | |
| Charles Horvath | Hash |
| Director |
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| Producer | Gordon Kay
Willard W. Willingham |
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| Writer | Clair Huffaker
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| Cinematography | Clifford Stine
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Murphy goes after bad guys who shot his friend the sheriff and abducted a local girl. In a plot reminiscent of High Noon, the posse of town blowhards gradually abandons Murphy; only tenderfoot banker Saxon remains, to prove his manhood. When they find the girl, obviously abused by her captors, Murphy shows her acceptance and sympathy whereas the others disply only revulsion. |
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