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| Roger Moore | ||
| Grace Jones | ||
| Tanya Roberts | ||
| Lois Maxwell | ||
| Fiona Fullerton | ||
| Christopher Walken | ||
| Patrick MacNee | ||
| Patrick Bauchau | ||
| Desmond Llewellyn | ||
| David Yip | ||
| Roger Moore | James Bond | |
| Robert Brown | M | |
| Fiona Fullerton | Pola Ivanova | |
| Grace Jones | May Day | |
| Dolph Lundgren | Venz | |
| Patrick MacNee | Tibbett | |
| Patrick Bauchau | Scarpine | |
| Lois Maxwell | Miss Moneypenny | |
| Tanya Roberts | Stacey Sutton | |
| Christopher Walken | Max Zorin | |
| Bill Ackridge | O'Rourke | |
| Daniel Benzali | WG Howe | |
| Alison Doody | Jenny Flex | |
| Peter Ensor | Tycoon | |
| Walter Gotell | General Gogol |
| Director |
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| Producer | Michael G. Wilson
Albert R. Broccoli |
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| Writer | Michael G. Wilson
Richard Maibaum Ian Fleming |
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| Cinematography | Alan Hume
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| Musician | John Barry
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Roger Moore lends humour, elegance and lethal charm to his final performance as James Bond in A View To A Kill. Bond confronts Max Zorin (Christopher Walken), who has devised a plan to corner the world's microchip market, even if he has to kill millions to do it! But before Bond can stop the madman, he must confront Zorin's beautiful and deadly companion, May Day (Grace Jones). |
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Features
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